~  F U R T H E R   R E A D I N G  ~


 

books-wd

 

AISBETT, Norman, ‘Tribe shows the way’, The West Australian, 2 June 2007, p.3
ADAMS, Julie; and THOMAS, Nicholas, Tapa: Barkcloth Paintings from the Pacific, Ikon Gallery, Birmingham & Cornerhouse Publications, Manchester, UK, 2013
AGUIRRE, Edward; and BERAN, Harry, The Art of Oro Province: A Preliminary Typology [published on CD], The Oceanic Art Society, Sydney, 2009
APPEL, Michaela; KELCH, Robyn; and KING, Brennan. Ömie Artists [exhibition catalogue], ArtKelch, Freiburg & Stuttgart and Museum Für Völkerkunde, München, 2014
BALAI, Sana; MODJESKA, Drusilla; and RYAN, Judith, Wisdom of the Mountain: Art of the Ömie, National Gallery of Victoria International, Melbourne, 2009
BALAI, Sana; MODJESKA, Drusilla; and RYAN, Judith, Wisdom of the Mountain: Art of the Ömie, National Gallery of Victoria International, Melbourne, 2009
CHENG, Scarlet, ‘Prized barkcloth shown in ‘Second Skins’ at UCLA’s Fowler’, LA Times, 1 April 2012
DURRANT, Jacqui, ‘Ömie Beauty’, Art Monthly Australia, #231 July 2010, p.53
ELLIOT, David (ed.), 17th Biennale Of Sydney: Beauty Of Distance – Songs Of Survival In A Precarious Age, Thames & Hudson, 2010
FISH, Peter, ‘Barkcloths to Bewitch Fans’, Sydney Morning Herald, 15 July 2006
FISH, Peter, ‘From under the volcano’, Sydney Morning Herald, 28 March 2008
GRISHIN, Sasha, ‘Bark cloth with bite’, Canberra Times, 3 December 2009, p.9
HAWKER, Michael, ‘Ömie barkcloth: A textile of transition and place’, Threads: Contemporary Textiles and the Social Fabric, Queensland Art Gallery | Gallery of Modern Art, Brisbane 2011, pp.79-83
KALMAR, Nicola, ‘Ancient technique is a symbol of heritage’, Broome Advertiser, 11 August 2011
KING, Brennan, Hijominöe Modéjadé (Guided by Ancestors): Ömie Artists’ 10th Anniversary Exhibition [exhibition catalogue], Andrew Baker Art Dealer, Brisbane, 2015
KING, Brennan, ‘Introduction’, Rex Warrimou (Sabïo): Dahoru dor’e Jije (Star on the Mountain) [exhibition catalogue], Andrew Baker Art Dealer, Brisbane, 2015
LEUB, Oliver; and MESENHÖLLER, Peter (eds.), Made in Oceania: Art and Social Landscapes, Rautenstrauch-Joest Museum – Cultures of the World, Cologne & Nünnerich-Asmus Verlag, Germany
MALLON, Sean; MILLER, Imelda; PAGE, Maud; and THOMAS, Nicholas, Paperskin: Barkcloth Across the Pacific, an exhibition organised by the Queensland Art Gallery, Museum of New Zealand Te Papa Tongarewa and Queensland Museum, 2009
MARTIN-CHEW, Louise, ‘Debutantes: Rex Warrimou’, Art Collector, Issue 75, January-March 2016, pp.102-105
MCDONALD, John, ’17th Biennale of Sydney’, Sydney Morning Herald, 29 May 2010
MCDOUGALL, Ruth. ‘Acquisitions: Rex Warrimou (Sabïo): Our Creation (Ömie) 2014’, Artlines, Queensland Art Gallery | Gallery of Modern Art, Brisbane, 3–2015
MCLEAN, Ian, ‘Beauty, distance, songs: Surviving the end of Enlightenment’, Art Monthly Australia, July 2010 Issue 231, p.5-8
MODJESKA, Drusilla, ‘This Place, Our Art: The Barkcloth Art of Ömie’, Art & Australia, Vol. 43 No. 2 Summer 2005, p.250-255
MODJESKA, Drusilla, Suja’s Daughters [exhibition catalogue], Andrew Baker Art Dealer, 2013
MODJESKA, Drusilla, The Mountain, Random House, North Sydney, NSW, Australia 2012
MORRIS, Randall, ‘A Libation to the Ömie Artists’, Volcanic Visions: Barkcloth Art of the Ömie [online catalogue], Cavin-Morris Gallery, New York, 2013
NAHOW-RYALL, Krishna, ‘Meet the Neighbours’, Art Monthly Australia, #237 March 2011, p.52
NUGENT, Mary-Lou, ‘The Ömie Barkcloths’, Artonview, Winter 2007, p.41
NELSON, Robert, ‘Geometric gems with kinetic jive’, The Age, 8 February 2012, p.15
ROHATYNSKYJ, Marta A., ‘Ujawe: The Ritual Transformation of Sons and Mothers’, in BONNEMERE, Pascale (ed.), Women as Unseen Characters: Male Ritual in Papua New Guinea, University of Pennsylvania Press, Philadelphia, Pennsylvania, 2004, pp.75-97
ROHATYNSKYJ, Marta A., ‘Culture, Secrets, and Ömie History: A Consideration of the Politics of Cultural Identity’, American Ethnologist, 24(2), 1997, pp.438-456
ROHATYNSKYJ, Marta A., ‘Producing Ömie Locality’ in BAMFORD, Sandra (ed.), Embodied Modernity and Post-Modernity in Melanesia: Ritual, Praxis and Social Change in the South Pacific, Carolina Academic Press, Chapel Hill, North Carolina, USA, 2006
SORENSEN, Rosemary, ‘The eyes inhabit a strange new world’, The Australian, 24 November 2009
SUBRAHMANIAN, Madhvi, ‘Ancient barkcloth comes alive’, The Business Times, 11 February 2011, p.26
THOMAS, Nicholas, ‘Spiderweb and Vine: The Art of Ömie’, Brunt, Peter; and Thomas, Nicholas (eds.), Art in Oceania: A New History, Thames and Hudson, London, 2012, p. 484-5
THOMSON, Chris, ‘Papuan women’s artistic eruption’, The Perth Voice, 22 May 2007, p.11
TOH, Joyce,  Signature Art Prize 2011: Asia Pacific Breweries Foundation, Singapore Art Museum, 2011
WILLIAMS, Jacqueline, ‘Art form is fabric of a culture’, Canberra Times, 6 July 2010, p.9
WILSON, Natalie, ‘Barkcloth revival: Women who paint their wisdom’, LOOK, Art Gallery Society of New South Wales, December 2012/January 2013, pp.18-19
Ilma Savari (Ajikum’e): Aréro Ajivé (A New Light) [exhibition catalogue], Andrew Baker Art Dealer, Brisbane, 2016
Luminous Mountain [exhibition catalogue], Andrew Baker Art Dealer, 2014

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